Unless you’ve been keeping your headphones off lately, you might have missed Saint Jordn quietly dropping one of his most personal tracks yet. “Therapy” isn’t chasing trends—it moves at its own pace, circling a hypnotic beat while unpacking pressure, ambition, and the toll they can take. It’s the kind of track that sits with you, not because it’s loud, but because it knows exactly what it wants to say.
Switching between English and Spanish feels natural for Saint Jordn—it’s how he thinks, how he lives. With Memba II on the way, “Therapy” works like a quiet statement of intent. Saint Jordn is here to carve out something real, one track at a time.
“Therapy” hits with a sense of emotional weight and restraint. What was going through your mind when you wrote it?
I wrote it one day when I was going through a bad experience with money problems, and when I started to relax, I was inspired by this rhythm and started writing it while smoking.
You deliver lines like “Money control like a flow” with real precision. Can you walk us through the meaning behind that lyric?
It’s a way of saying that money controls my mind like the Mahinuana.
How personal is “Therapy” to you? Was there a specific moment that sparked it?
Therapy is more of a melodic track that relaxes you and makes you enter into it, and helps you relax; it’s like therapy. In fact, that’s where the title of the song comes from.
You switch between English and Spanish in the track. Is that a reflection of how you think? Or a statement on how you move through the world?
I think it’s because I speak Spanish and I’m learning English. I can say I’m already at 40%.
What was the concept behind the ‘Therapy’ music video, and how did it come together creatively?
I wanted to create a video that was almost therapeutic, you know, being with women, having a good time, and relieving stress. I think you get the picture.
Where does “Therapy” fit into what you’re building with Memba II?
The EP is composed of 6 contexts: it is very raw, realistic, celebratory, heartbreaking, therapeutic, and self-centered. and all the music connects artistically with the cover of the EP, in which all the contexts are from the life and struggles of Memba, that is, me.
What’s your usual creative process like—do you start with the beat, the bars, or the feeling?
I always start with the rhythm, the feeling, then the compositions, and the bars.
Who were your biggest influences coming up—and who’s inspiring you right now?
My biggest influence has always been Travis Scott, but I’ve had other references like Kendrick Lamar, Canserbero, Playboi Carti, and XXXTENTACION.
What do you want your name to mean in this game when people bring it up five years from now?
I want it to mean musical revolution; my goal is to bring a different sound to urban music.
